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國立清華大學亞太/文化研究中心

Dec. 19(三)/ Au Sow Yee /Notes on Transfiguration and Transformation of Mengkerang and Nanyang /朝向亞際平等共享社會系列演講

Dec. 19(三)/ Au Sow Yee /Notes on Transfiguration and Transformation of Mengkerang and Nanyang /朝向亞際平等共享社會系列演講

 

Topic/講題 : Notes on Transfiguration and Transformation of Mengkerang and Nanyang /棉佳蘭與南洋的變異時空誌

Date/時間:2018/12/19 14:00-17:00
Venue/地點: Room 106A, HA Building 2, Guangfu Campus, NCTU 
Note:The talk will be conducted in English. 

Speaker/講者:Au Sow Yee /區秀詒

Born in Kuala Lumpur, Malaysia, and currently lives and works in Taipei, Taiwan, Au Sow Yee's works focus mainly in questioning, exploring as well as expanding the relationship between images, image-making, history, politics, and power, through video installation and other mediums. Sow Yee’s recent works focus on the re-imagined history of Malaysia, Southeast Asia, and the related region from perceptions and ideologies bounded by the Cold War. Meanwhile, she also continues her interest in the image-making mechanism, creating live cinema performances by using self-made mechanism and mechanical film projectors. A finalist for the 2018 Asia Pacific Breweries Foundation Signature Art Prize, Sow-Yee’s works were exhibited in MMCA (Seoul), Mori Art Museum (Tokyo), HKW (Berlin), Shanghai Rockbund Art Museum, BACC (Bangkok) and various other exhibitions and screenings. 

Sow-Yee was the co-founder and co-curator for KLEX (Kuala Lumpur Experimental Film and Video Festival) in 2010, 2011 and 2016. She is also one of the guest writers for online magazine No Man’s Land and co-founded Kuala Lumpur’s Rumah Attap Library and Collective in 2017.

區秀詒,出生長大於馬來西亞。畢業自文化大學戲劇系,舊金山藝術學院(San Francisco Art Institute)電影研究所、國立臺北藝術大學新媒體藝術研究所。『2018年亞太釀酒基金會傑出藝術獎』(Asia Pacific Brewaries Signature Art Prize)入選藝術家。區秀詒的創作主要以錄像、觀念、裝置等混合形式,探討和擴延影像與影像製造以及和歷史、政治、權力之間的關係。她近期著重於關注如何把歷史從冷戰結構的影響解放出來,重新想像尤其是馬來西亞與東南亞(和其臨近)區域的歷史問題意識。同時她也延續對影像生成機製的關注,以機械式電影放映機作現場電影(Live Cinema)表演。 作品曾在首爾MMCA、東京森美術館、柏林HKW、曼谷文化與藝術中心(BACC)、上海外灘美術館、新加坡國際電影節、韓國首爾國際實驗電影節牯嶺街國際小劇場藝術節等展覽與電影節發表。她同時也曾是2010、2011以及2016 KLEX 吉隆坡國際實驗電影與錄像節選片人。區秀詒也是「數位荒原」的特約作者,吉隆坡「亞答屋84號圖書館」(Rumah Attap Library and Collective)共同創辦人之一。

Chairpersons/主持人:
Hwa-Jen Tsai/ Assistant Professor Institute for Social Research and Cultural Studies, NCTU

主辦單位: 國立交通大學/台聯大系統文化研究國際中心、交通大學社會與文化研究所、亞際文化研究國際碩士學位學程(台灣聯合大學系統) 、交大外文所、交大音樂所

經費來源: 高等教育深耕計畫─特色領域研究中心計畫:「衝突、正義、解殖:亞際社會批判研究」

http://iccs.nctu.edu.tw/zh/index.php
http://iics.nctu.edu.tw/

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