《放映》民眾在何處？亞際民眾劇場放映會：
Where the People are... Screening on People's Theater in Inter-Asian Societies

大帳篷─想像力的避難所｜The Moving Tent

■時間 Time
2018/12/08（六）
19:00-22:00

■地點 Venue
江山藝改所 Jiang Shan Yi Gai Suo
新竹市東區興達街1號 No. 1, Xinda Road, East District, Hsinchu City

■映後座談主講人 Speakers
楊子瑄、林欣怡（海筆子 Tent16-18成員）

■影片簡介

貨車駛入廣場搭起帳篷，帳篷成員有的換裝上妝，上台演出，有的在幕後各司其職。觀眾進場，傾聽社會間隙微弱到幾乎聽不見的聲音，見證帳篷成員集體建構的獨特美學，感受經由行動所展現的抵抗能量和反思，觀看帳篷劇成了台上台下意念的匯流沸騰。演出之後，成員們收疊帳篷，離開短暫的臨時舞台，帶著帳篷的核心理念，前往各自現實的生活，繼續行動與沈澱，並等待著下一次帳篷升起。

《大帳蓬─想像力的避難所》紀錄了2004-2016年「台灣海筆子」帳篷行動在台的發展，及其後連帶至日本及北京等地的行動軌跡。隨著每一次計畫的發起與休止，櫻井大造與成員們對於帳篷劇場的思索、成員們生活與工作的變化，十年收摺為可以轉面攤開重新思索的地圖。而拍攝過程中，陳芯宜也從保持客觀距離的紀錄者，逐漸轉變為投入帳篷行動的參與者，進入帳篷的勞動工作：包括搭建帳篷、製作舞台、參與舞台美術等。

在試著整理這十多年來的影像後，《大帳蓬─想像力的避難所》更像個引子，既是對內也是對外的行動叩問，讓紀錄片的放映成為移動對話的廣場。

Video Description

The Moving Tent, document the development of Tent Theatre movement of Taiwan Haibizi from 2004-2016, and subsequently their moving trajectory in Japan and Beijing etc. Along with initiations and rest of tent theatre project, Daizo Sakurai and his members put 10 years worth of pondering, changes of their livelihood and work, unfold into a map of rethinking. During the filming period, director Singing Chen started from record in objective distance, gradually turning into a participant of the tent theatre movement, and become a participant in the theatre, which includes the construction of the tent, stages and design etc.

After trying to organize the images for more than a decade, "The Moving Tent" is more like an introduction, for both internal and external, and make the screening of the documentary as a mobile square for dialogue.

■關於帳篷劇

帳篷劇場源自於六〇年代日本戰後的小劇場運動，1999年，導演櫻井大造與他所成立的日本「野戰之月」劇團首度來台演出，震撼藝文界，其後漸漸發展出台灣的海筆子行動。帳篷就像一個想像力的避難所，進行許多關於抵抗的美麗故事。本片紀錄了台灣海筆子導演櫻井大造和其主要成員的創作歷程與生活，以及他們以熱情和信念來衝撞社會現實的激烈樣貌。

D民手案｜Injured Hand

■時間 Time
2018／12／16 (日)
19:00-21:30

■地點 Venue
異鄉人合作社 Stranger Cooperation
新竹市東區大同路86號 新竹東門市場3樓

No. 86, 3rd Floor, Dongmen Market, Datong Road, East District, Hsinchu City.

■影片簡介

這裡沒有戲里戲外，一次精心設立的現場，激發了觀眾對自身遭遇的反應。法律背後的權力關係，對生命定義的荒誕與無情，在觀眾介入與律師的辯論中逐漸浮現出來。健身教練與美甲師作為場景的一個結構，提示了當下關於身體的意識形態背景。片中能夠感受到，當所有的東西，回到每個人本身，事情才會逐漸回復日常。這成為了一次在劇場框架下的公共論壇。

本劇重點討論一隻手到底值多少錢？司法解釋背後意味著什麼？覃劍榮價值61萬的手臂和鋼琴家朗朗價值一個億的手指頭同時並置眼前的時候，器官的階級性被建構起來了。血肉之軀被附上商品價值的魂魄。身體器官的意義被肢解後塞入了資本價值譜系設計的精緻的絞肉機中。完成了新時代的身體血酬定律。

Video Description

The fourth wall is nonexistent here. A well-crafted scene inspires the audience to react to their own circumstances. Through the audience’ intervention in the lawyer’s debate, the power relationship behind the legal system and the absurdity and ruthlessness of life begin to emerge. The fitness instructor and the manicurist serve as the mise-en-scène, reminding us of the ideological background of the flesh. In the video, ordinary life is only restored once everything goes back to each individual. This is a public forum in the context of the theatre. This performance interrogates how we measure the monetary value of a pair of hands. What does judicial interpretation mean in this context? When a factory worker loses his arm during work and gets $610,000 in compensation, and when the famous pianist Lang Lang’s fingers are insured at $100,000,000, the class relationship between human organs is established. The apparition of commodity value haunts our flesh and blood. The body is mutilated, stuffed into the intricate meat grinder of capital value, and fulfills the formula of blood compensation in the new era.

■映後座談主講人
《D民手案》導演：王楚禹 WANG Chu Yu

王楚禹，中國大陸當代藝術家，行為藝術家，策展人。1974年出生於中國陝西，1994年開始在北京從事藝術創作至今，參與多個國際行為藝術節。近期劇場作品包括參演劇場《哈姆雷特機器詮釋學》（2015-2016）、導演劇場作品《D民手案》（2017）。2016年創辦《潛行》藝術機構。2018導演觀念劇場《為五十六個階級弟兄》、《香港人》。

Speaker

Director: Wang Chu YuWang Chu Yu is a contemporary artist, performance artist, and curator based in Mainland China. Born in Shaanxi, China in 1974, Wang started his artist career in Beijing in 1994. He has participated in numerous international performance art festivals. His recent projects include “Die Hamletmaschine” (2015-2016) and he directed the theatre project “Injured Hand” (2017). He founded the “Qian Xing Art Institution” in 2016. In 2018, he. directed a concept theatre named “For Our 56 Workers” and “Hong Kong People.”

■主持人 Moderator

李齊 LI Qi（交通大學社會與文化研究所博士生 PhD Student, Social Research and Cultural Studies, NCTU）


■主辦單位

國立交通大學文化研究國際中心
亞際文化研究國際碩士學位學程（台灣聯合大學系統）
交通大學社會與文化研究所

Organizers:

The International Center for Cultural Studies (ICCS), National Chiao Tung University (NCTU)
The International Institute for Cultural Studies (IICS), University System of Taiwan (UST)
Institute of Social Research and Cultural Studies, National Chiao Tung University (NCTU)