民眾在何處? 亞際社會民眾劇場工作坊
開幕之夜：現場展演與交流

時間｜2018/12/13 17:30-19:30
Time｜17:30-19:30, 13th December, 2018 

地點｜台灣新竹市東區大學路1001號國立交通大學人社二館 一樓大廳
Location｜Entrance Hall, HA Building 2, National Chiao Tung University, 1001 University Road, Hsinchu City, Taiwan

活動流程｜

17:30-19:30 開幕之夜： 現場展演與交流
Opening Night: Live Performance and Interaction

活動說明 Description
“開幕之夜”將以相互交流及行為展演的形式進行。我們邀請各地劇場實踐者以身體行動作為對話的方法，呈現各個團體的表演形態與關注議題。另外，我們也歡迎與會者提供剪輯影片片段，穿插於表演之間。我們期望藉著多元與互動的面向，彼此觀摩，共同探討當前各地民眾劇場實踐者如何思考與如何面對當前的各種議題。

The Opening Night will be held in the format of mutual exchanges and body performances. We invite theater practitioners from all over the world to use physical action as a method of dialogue to present different types of performance and concerns of various groups. In addition, we also welcome participants to present video clips between performances. We hope that through diversity and interaction, we will be able to learn from each other and discuss how theater practitioners address today’s issues.

策劃 Curator
姚立群 YAO Lee Chun (台灣 Taiwan)

表演者 Performers
阿道．巴辣夫．冉而山 Adaw Palaf Langasan｜冉而山劇場 Langasan Theatre （花蓮 Hualien）
Dindon W.S｜墓地劇團 Teater Kubur（雅加達 Jakarta）
洪承伊、白大鉉 HONG Seung Yi, BAEK Dae Hyun｜戲劇遊樂場 SHIIM Theater Playground SHIIM（釜山 Busan）
王楚禹 WANG Chu Yu（北京 Beijing）
Assane CASSIMO｜家劇場 Teatro em Casa（莫三比克 Mozambique）

策展人的話 Curator's Notes
當時，觀眾真的站起來了。
這一夜，多位劇場實踐者將以身體行動作為對話的方法，呈現深具特色的表演形態，表達他們關注議題。進入論述的脈絡，走上抵抗的現場，承接起表演的工作──他們的表演，是一系列對話的序言，也是三十年來，民眾劇場生命的證言。

At That Time, the Audience Really Stood Up.
At this event, theater practitioners initiate the conversation with physical action. They engage with contemporary issues through unique performance styles. From a discursive context, they enter the scene of resistance and undertake the labor of performance. Their performance is not just the preface to a series of dialogues, but also a witness to thirty years of People's Theatre.

19:30-20:30 歡迎晚宴 Welcome Party

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民眾在何處？亞際社會民眾劇場工作坊

Where the People Are...Workshop on People's Theatre in Inter-Asian Societies

日期：2018年12月13-15日
Date：13th-15th December, 2018

地點：台灣新竹市東區大學路1001號國立交通大學人社二館 210室

Location: Room 210, HA Building 2, National Chiao Tung University, 1001 University Road, Hsinchu City, Taiwan

工作坊宗旨｜

「民眾劇場」，屬於人民、由人民創作、為人民發聲的劇場，在歷史中以不同的形式出現。羅曼．羅蘭（Romain Rolland）在1903年便已經以《民眾劇場》(Le Théâtre du peuple)一書，提出他的概念：國家是屬於歷史的，人民是屬於當下的。國家與宮廷的劇場已經是過去的劇場，而隨著法國大革命到俄國十月革命，為人民並由人民創作的劇場也已經誕生。

二十世紀以「民眾劇場」為名而興起的戲劇團體，例如People’s Theatre, Popular Theatre，更隨著不同的社會政治局勢而在各地興起。最具代表性的包括巴西奧古斯托．波瓦（Augusto Boal）的「受壓迫者劇場」（Theatre of the Oppressed），非洲的「發展劇場」（Theatre for Development），菲律賓的「菲律賓教育劇場協會」（Philippines Educational Theater Association， PETA ），韓國的民眾劇場「廣場劇」（Madang Theater），日本的帳篷劇等。近三十年來，台灣、香港、印尼、泰國、新加坡、馬來西亞、印度與中國大陸，也都先後發展出當地不同形式的民眾劇場。

面對二十一世紀劇烈變化中的亞洲社會，跨國資本主義盛行、右翼國家主義崛起、社會貧富分化加劇，移住勞工各地遷徙，我們擬邀請亞洲不同地區的民眾劇場實踐者和研究者，分享他們於各自歷史現實環境下的工作經驗，逐一標記散落於台灣、香港、中國大陸、日本、韓國、新加坡、馬來西亞、印尼、菲律賓、泰國等地的民眾劇場光譜，共同思考在當前普遍困難的條件下，民眾劇場展開論述與實踐的各種可能性空間。

本次工作坊的探討主題是：過去三十年來，在不同地區的異質發展脈絡中，各地民眾劇場的實踐者如何定位自身？他們如何界定抵抗的方針以及抵抗的對象？如何採取民間的元素，而轉化為他們的劇場美學形式？三十年的歷史過程中，他們的劇場實踐是否發生了轉變？在當前的劇場實踐中，他們所面對的壓迫者在何處？與他們一起工作的民眾，又在何處？

Objectives｜

People’s Theatre is theatre of the people, made by the people, speaks for the people, and it exists in different historical formations. In Le Théâtre du peuple, published in 1903, Romain Rolland believes that the State belongs to history but the People belong to the present. The theatre for the state and the royal court had come to an end, and theatre for the people emerged during the period of French Revolution and Russian Revolution. Diverse groups such as the People’s Theatre and Popular Theatre have appeared globally in twentieth century, marking multiple trajectories of social political situations. The most representative ones include Augusto Boal’s Theatre of the Oppressed in Latin America, Theatre for Development in Africa, Philippines Educational Theater Association in South East Asia, Madang Theatre, and Tent Theatre in South Korea and Japan. Over the past three decades, Taiwan, Hong Kong, Indonesia, Thailand, Singapore, Malaysia, India, and Mainland China have also developed different forms of People’s Theatre.

Facing tumultuous changes in the twenty-first century, including the prevalence of transnational capitalism, the rise of right-wing nationalism, and the intensification of social class differentiation, and diaspora of the migrant workers, we would like to invite the practitioners and researchers in different Asian areas to share their experience in diverse historical and social conditions. We intend to delineate the spectrum of People’s Theatre in Taiwan, Hong Kong, Mainland China, Japan, Korea, Singapore, Malaysia, Indonesia, the Philippines, and Thailand by expanding on the potential of discourse and praxis of People’s Theater under the challenging status quo.

We intend to discuss the following questions: How did the praxis of People’s Theatre locate themselves within heterogeneous contexts of development in different regions for the past thirty years? How do they define the methods and objects of resistance? How do they apply local elements to develop their theater aesthetics? Did they change the working methods of theatre practice to adapt to the historical moments? Where are the oppressed and the people that they have been working with in the present theater practice?

主辦單位｜

國立交通大學文化研究國際中心
亞際文化研究國際碩士學位學程（台灣聯合大學系統）
交通大學社會與文化研究所

Organizers｜

The International Center for Cultural Studies (ICCS), National Chiao Tung University (NCTU)
The International Institute for Cultural Studies (IICS), University System of Taiwan (UST)
Institute of Social Research and Cultural Studies, National Chiao Tung University (NCTU)